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ALEXA 35 is a native 4K Super 35 camera that elevates digital cinematography to unprecedented heights. With 17 stops of dynamic range, ALEXA 35 can handle more diverse and extreme light conditions, retaining color in the highlights and detail in the shadows, and simplifying post workflows. The new REVEAL Color Science takes full advantage of the sensor’s image quality, while ARRI Textures enhance in-camera creativity. Easy operation, robust build quality, and new accessories round out the ALEXA 35 platform.

 

More dynamic range

With filmic highlight roll-off

ALEXA 35 measures at 17 stops of dynamic range (exposure latitude), far more than any other digital cinema camera. Filmmakers gain 1.5 stops in the highlights and a stop in the shadows over previous ALEXA cameras, while retaining the naturalistic, film-like highlight roll-off. Sophisticated stray-light suppression ensures that the full character and contrast range of each lens is captured. Together, the increased dynamic range and stray light control make it easier to handle any lighting conditions on set, increase flexibility in post, and provide the best possible source for HDR (High Dynamic Range) projects.

 

More sensitivity

Up to EI 6400, with lower noise

Impressively low noise and sensitivity settings ranging from EI 160 to EI 6400 make ALEXA 35 a “High ISO” camera. An optional Enhanced Sensitivity Mode can be applied to settings between EI 2560 and EI 6400, producing an even cleaner image in low light. This exceptional sensitivity, combined with the wider dynamic range and truer contrast, allows ALEXA 35 to capture the most delicate nuances of light and shadow in a wider range of shooting situations. Filmmakers can work with available light in real locations, safe in the knowledge that even at extreme ISO values, any noise will have a pleasingly film-like structure.

 

More creative control

ARRI Textures – choose your digital film stock

ARRI Textures provide a new and unique way for cinematographers to exert greater creative control on set. A texture defines the amount and character of grain in an image, as well as the amount of contrast at different levels of detail, perceived by the viewer as sharpness. Previous ALEXA cameras were pre-programmed with a default texture, but with ALEXA 35 you can choose from an evolving menu of custom ARRI Textures, either to suit a specific shooting environment or to hone your look. This allows you to fundamentally alter the way the camera records images, much like selecting a film stock.

 

More accurate colors

From bold hues to subtle tones

Introduced alongside the ALEXA 35 is REVEAL Color Science, which is the collective name for a suite of image processing steps that, along with the new sensor, help the camera to record more accurate colors with subtler tonal variations. Skin tones of all types and colors are rendered in a flattering, lifelike way. Highly saturated colors such as those in neon signs or car brake lights are captured with incredible realism, as are typically challenging colors like cyan, burgundy, and pastel shades. Overall, the true-to-life color fidelity and amazing resolving power of the sensor make for beautiful, immersive images.

 

Wide lens choice, 19 recording formats

With its Super 35 4:3 native 4K sensor, ALEXA 35 can be used with the vast global inventory of existing lenses—modern and vintage, anamorphic and spherical, Super 35 and large format. Filmmakers wanting to shoot with ARRI cameras while having to fulfill 4K mandates now have an immeasurably broader lens choice.

A total of 19 recording formats, incorporating efficient in-camera downsampling and anamorphic de-squeezing, allow productions to optimize data rate, resolution, and other parameters, based on their individual needs.

Mixed Reality Productions (MRP) will benefit from the camera's ability to record lens metadata in all common standards and output real-time streaming metadata to ARRI's Live Link Metadata Plug-in for Unreal Engine.

 

A single, rugged camera that can do it all

ALEXA 35 is the smallest fully featured ARRI production camera ever, packing the features and processing power of a larger ALEXA into a Mini-sized body. Crews will be intuitively familiar with the simple menu structure; support for 1TB and 2TB Codex Compact Drives; and MVF-2 viewfinder, now with HDR. Fast and easy operation is assured through usability improvements such as a new left-side display and additional user buttons. Temperature resistant, splash and dust-proof, and conceived with future hardware and software updates in mind, ALEXA 35 is the best A-camera, B-camera, and drone or gimbal camera on the market, all rolled into one.

 

Electronic accessories and mechanical support

ARRI has crafted a new line of bespoke ALEXA 35 accessories that expand the camera's capabilities and ensure maximum speed and versatility on set. Closely integrated electronic accessories offer additional power outputs or extended audio features. A complete new set of mechanical support items provides flexible options for any situation, scaling quickly and easily from a small and lightweight setup to
a full-blown production configuration. ALEXA 35 is available in sales sets that group together components suitable for different shooting styles and production types, with further accessories and system options facilitating countless setups.

 

B-Mount, the new 24 V standard

ALEXA 35 utilizes the B-Mount battery interface, an open industry standard endorsed by ARRI and the wider industry. Providing high-capacity 24 V power, but also able to support 12 V, B-Mount offers more efficiency and improved data communication over previous systems. Cross-compatible with camera, lighting, and stabilizer equipment from manufacturers worldwide, it enables productions to streamline their power requirements.

ARRI ALEXA 35

  • Technnical

    Sensor Type Super 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern color filter array
    Sensor Maximum Number of
    Photosites and Size
    4608 x 3164
    27.99 x 19.22 mm / 1.102x 0.757″
    Ø 33.96 mm / 1.337″
    Sensor Frame Rates 0.75 – 120 fps
    Weight ∼2.9 kg / 6.4 lbs (camera body with three antennas and LPL Mount (LBUS))
    Photosite Pitch 6.075 μm
    Exposure Latitude 17 stops
    Exposure Index Adjustable from EI 160 – 6400 in 1/3 stops
    Shutter Electronic shutter, 5.0°- 356° or 1s – 1/8000s
    Recording Formats MXF/ARRIRAW
    MXF/Apple ProRes 4444 XQ
    MXF/Apple ProRes 4444
    MXF/Apple ProRes 422 HQ
    Recording Media Codex Compact Drive 1TB (CA08-1024)
    Codex Compact Drive 2TB (CB16-2048)
    ViewFinder Type Multi Viewfinder MVF-2 with 4″ flip-out monitor
    Color Output Rec 709
    Rec 2020
    Rec 2100 PQ
    Rec 2100 HLG
    LogC4
    Custom Look (ARRI Look File ALF-4)
    Look Control Import of custom 3D LUT
    ASC CDL parameters (slope, offset, power, saturation)
    ARRI Look Library
    ARRI Textures
    White Balance Manual and auto white balance, adjustable from 2000K to 11000K in 10K steps
    Color correction adjustable range from -16 to +16 CC
    1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values
    Filters Four position built-in motorized ND filter: Clear, 0.6, 1.2, 1.8
    Fixed optical low pass, UV, IR filter
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